A collection of poetry reclaiming Catholic prayers and biblical passages to empower girls, women, and members of the LGBTQIA+ community.

The extreme level of sass in Emily Austin’s Gay Girl Prayers does not mean that this collection is irreverent. On the contrary, in rewriting Bible verses to affirm and uplift queer, feminist, and trans realities, Austin invites readers into a giddy celebration of difference and a tender appreciation for the lives and perspectives of “strange women.”

Packed with zingy one liners, sexual innuendo, self-respect, U-Hauling, and painfully earnest declarations of love, this is gayness at its best, harnessed to a higher purpose and ready to fight the powers that be.

Emily Austin is the author of Everyone in This Room Will Someday Be Dead, Interesting Facts about Space, and the poetry collection Gay Girl Prayers. She was born in Ontario, Canada, and received two writing grants from the Canadian Council for the Arts. She studied English literature and library science at Western University. She currently lives in Ottawa, in the territory of the Anishinaabe Algonquin Nation.

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"Gay Girl Prayers offers a template for queer resistance to religious doctrine in revised Bible verses. Emily Austin has forged an unholy hymnal, a book of praise songs that shuck off stuffy Christian constraints to embrace instead unrepentant joy. She redefines Heaven not as a place for the puritanical, but rather a series of intimate moments between queer girls ‘who take lamps to one another’s bed chambers' and reimagines, through erotic apocrypha, divinity inclusive of ‘the curious… the closeted… the butches… the femmes… bisexuals, pansexuals… all queer trans people.’ Gay Girl Prayers is a renunciation of orthodoxy, a proclamation of queer solidarity, and a celebration of self-love."
—Evelyn Berry, author of Grief Slut and Buggery

"Emily Austin's debut book of poems is the most inventive and hilarious collection I've come across in years. Gay Girl Prayers manages to be both cohesive and innovative in form. I wanted to run a highlighter over so many lines, feeling both moved and delighted by this epic translation and reclamation project. It's both fun and challenging, my favourite kind of text."
—Zoe Whittall, author of The Fake and The Best Kind of People